Seedance 2.0 prompts for vertical short drama.

Vertical 9:16 video. A crowded rooftop engagement party at night, string lights overhead, city skyline behind. A young woman in a red dress walks through the parting crowd, guests turning to stare. She stops in front of the groom and slaps him. A champagne glass shatters on the floor. Slow push-in from medium shot to close-up on her face, jaw set, eyes wet. Warm tungsten party light mixed with cool blue city glow. Cinematic realism, shallow depth of field, tense atmosphere.

Vertical 9:16 video. A bride sprints down a marble hotel corridor, veil streaming behind her, heels in one hand. Chandeliers blur past overhead. Handheld tracking shot following her from behind, then she bursts through double doors into blinding daylight and stops. The camera swings around to her face: breathless, smiling, defiant. High-key natural light at the doorway, cool interior tones behind. Cinematic realism with slight motion blur, energetic pace.

Vertical 9:16 video. A wood-paneled study, heavy curtains, afternoon light in dusty shafts. An elderly lawyer slides a single document across a mahogany desk. Around the desk, a wealthy family sits frozen, faces tightening. Rack focus from the document in the foreground to a young housekeeper standing quietly in the doorway at the back of the room. Slow, controlled camera, muted color palette, still and heavy atmosphere. Cinematic drama.

Vertical 9:16 video. A rain-soaked city street at night, neon reflections on wet asphalt. A long black limousine glides to a stop. A young man in a plain courier jacket steps out as four bodyguards in dark suits line up behind him and bow. Across the street, a woman under an umbrella freezes mid-step, recognition dawning on her face. Slow orbit around the man as he removes the courier jacket to reveal a tailored suit. Moody cinematic lighting, rain atmosphere, shallow depth of field.

Vertical 9:16 video. Floor-to-ceiling windows of a corporate boardroom at dusk, a vote in progress. Double doors swing open and a young woman in a sharp white suit strides in holding a single folder. Executives rise from their chairs in alarm. Low-angle tracking shot following her from behind as she walks the length of the table and drops the folder in front of the chairman. Cool glass-and-steel palette, hard rim light from the windows, confident pacing. Cinematic corporate drama.

Vertical 9:16 video. A packed courtroom, dark wood and brass, murmuring gallery. The rear doors open and a woman in a hospital gown and coat stands in the doorway, steadying herself on a cane. The murmur dies. At the defense table, a man in an expensive suit turns and his face drains of color. Slow push-in on his reaction, the witness soft in the background. Sober courtroom light, desaturated palette, held tension. Cinematic realism.

Vertical 9:16 video. Interior of a parked car at night, rain streaking the windows, streetlight glow diffused through the glass. A man in the driver seat grips the wheel, staring forward, speaking through his teeth. A woman in the passenger seat turns to him, furious, then her expression cracks into hurt. Over-the-shoulder two-shot from the back seat, then a slow drift toward her face. Cool blue exterior light against warm dashboard glow. Intimate, claustrophobic, cinematic realism.

Vertical 9:16 video. A sunlit garden cafe, string lights and greenery, soft afternoon bokeh. A woman with wavy blonde hair sits across a small table from a man whose back is to camera. She listens, laughs unexpectedly, then catches herself and looks down at her cup, smiling. Medium close-up favoring her face over his shoulder, gentle handheld sway. Warm natural daylight, creamy shallow depth of field, romantic and light. Cinematic realism with natural micro-expressions.

Vertical 9:16 video. A glittering charity gala, chandeliers and champagne. An older woman in emeralds leans close to a younger woman as if kissing her cheek in greeting, smiling for the cameras, and whispers something. The young woman keeps her public smile while her eyes harden. Tight close-up on the two faces, flashbulbs strobing softly in the background. Elegant warm light with cold undertones on the faces. Cinematic drama, controlled and quiet menace.

Vertical 9:16 video. A minimalist penthouse office, morning light across a glass desk. Extreme close-up of a fountain pen signing a marriage contract, two sets of hands almost touching as the document passes between them. The camera tilts up from the hands to their faces: a man and a woman holding eye contact one beat too long, both refusing to look away first. Crisp cool daylight, precise composition, restrained tension. Cinematic romance drama.

Vertical 9:16 video. A mirrored office elevator, late evening. A man and a woman stand at opposite corners, pointedly ignoring each other. The lights flicker and cut out, the elevator jolts to a stop, and the red emergency light comes on. In the dim red glow they turn toward each other at the same moment. Static medium shot letting the mirrors multiply their reflections. Deep shadows, single red practical light, charged silence. Cinematic tension.

Vertical 9:16 video. A city rooftop at blue hour, wind moving through a woman's hair, skyline lights coming on behind her. A man steps closer and starts to speak, visibly gathering courage. Her phone lights up and buzzes in her hand between them, and both look down at it. Slow dolly-in that stops the instant the phone lights up. Blue hour ambience with warm phone-screen glow on their faces. Cinematic romance, bittersweet and suspended.

Vertical 9:16 video. Dusk in a financial district. A smooth vertical crane descent down the mirrored face of a glass skyscraper, floor after floor of lit offices sliding past, ending at street level on a woman in a trench coat looking up at the building she is about to enter. Reflections of orange sky in the glass, cool street shadows below. Clean, deliberate camera motion, cinematic scale, quiet determination.

Vertical 9:16 video. Wrought-iron gates of an old family estate at dawn, fog low on the ground, a gravel drive vanishing toward a dark stone mansion. The gates swing open on their own with a metallic groan. Slow push forward through the opening gates, fog curling around the camera. Cold gray-blue palette with one warm lit window far in the distance. Gothic atmosphere, cinematic drama.

Vertical 9:16 video. A narrow neon-lit night market alley, steam from food stalls, strings of paper lanterns overhead. A young woman in a hooded jacket weaves quickly through the crowd, glancing back over her shoulder. Handheld follow shot close behind her, lanterns and neon smearing past. Saturated neon reds and teals, wet pavement reflections, urgent energy. Cinematic thriller feel.

Vertical 9:16 video, three shots with natural cuts. Shot 1: a husband in a home office at night, phone to his ear, laughing softly at something, medium shot through the doorway. Shot 2: his wife frozen on the dark staircase outside, one hand on the railing, listening, close-up. Shot 3: extreme close-up of her hand tightening on the railing until the knuckles whiten, then cut to black. Warm office light against cold stairwell shadow. Cinematic drama, restrained and quiet.

Vertical 9:16 video, three shots with natural cuts. Shot 1: a woman unlocks her apartment door at night, grocery bag in one arm, medium shot from the hallway. Shot 2: her point of view: the dark living room, and a figure sitting in her armchair switches on the reading lamp. Shot 3: extreme close-up of the visitor's face as a slow smile begins, hard cut to black before the smile completes. Single warm lamp against darkness, thriller pacing. Cinematic suspense.

Vertical 9:16 video, three shots with natural cuts. Shot 1: dawn over the city, a vertical tilt down from the sky to a penthouse window. Shot 2: inside, a man asleep on a sofa in last night's tuxedo, tie undone, morning light crossing his face, slow dolly toward him. Shot 3: close-up of his phone on the coffee table lighting up again and again with incoming calls as he opens his eyes. Soft golden morning light, quiet dread. Cinematic realism.